Amateur Apsara Dancing in Siem Reap

No visit to Cambodia would be complete without seeing the Apsara dance performance. Apsara dancing is a classical Khmer dancing art that’s been part of Khmer culture since the Angkorian days. You can see thousands of Apsara dancers carved on the walls of Angkor temples and pagodas all over Cambodia. Even though I had not heard the word Apsara prior to visiting Cambodia, I have quickly become familiar with it as soon as I started exploring Siem Reap. Moving around was much easier now that I had my mountain bike and as I kept riding around town, I noticed several hotels advertising their nightly Apsara Dance performances. There’s so much of it in Siem Reap, than sooner or later every visitor, even if entirely not familiar with Apsara will have heard of it and attended the show to see what it’s all about. I was lucky enough to have stumbled across an Apsara Dance performed at Wat Kesararam by young amateur dancers to get my introduction to Apsara Dancing prior to attending an actual Apsara show for tourists.

Photo: Amateur Apsara Dancers Performing their Act at Wat Keseram
Photo: Amateur Apsara Dancers Performing their Act at Wat Keseram

As part of Pchum Ben Festival, main vihara (prayer hall) at Wat Kesararam was full of Khmer people who came there to pray and make offerings to their deceased ancestors and monks. Since big feast with many people attending was anticipated on the day I visited the pagoda, locals also organized a little Apsara dance performance to get themselves entertained prior to festivities. The dance was performed by their daughters – amateur but enthusiastic young Cambodians who appreciate their heritage and keep their ancient culture alive.

Photo: Apsara Dancing Has a Lot of Movement in Flexible Fingers
Photo: Apsara Dancing Has a Lot of Movement in Flexible Fingers

I walked into vihara because there was traditional Khmer music coming from the inside played live by a band and there were many shoes outside suggesting that many people are in there (Buddhists always take their shoes off before entering sacred buildings). Understanding that there was something interesting going on, I took my shoes off, wiped off the sweat from my head and stepped right in where heat was just as devastating and the light was dim.

The vihara was quite spacious with many people inside. It was very dark there. No artificial light, just a little bit coming from the outside through small windows. I was the only Caucasian there, but not the only tourist. There were a few Korean (I think they were Korean, I can’t tell Asian nationals from one another) people sitting close to the improvised stage on which young girls performed slow paced Apsara dance.

Photo: Cambodian Child Came to Check Out What Was Going on Inside of Wat Keseram's Prayer Hall
Photo: Cambodian Child Came to Check Out What Was Going on Inside of Wat Keseram's Prayer Hall

I wanted to take some pictures, but it was so dark in there it became extremely difficult. Luckily, Apsara dancing is not about speed. It’s about careful posing and a lot of balance. I had to really improvise with my camera because bad lighting conditions and moving objects (albeit slow moving) make for difficult photography. I tried my best.

Luckily for me, none of the locals made any signs of me being a disturbing element. I tried to be as inconspicuous as possible, but I occasionally moved from one spot to another in efforts to find the best angle with most light. The only other thing moving were the Apsara dancers on the stage so my commotion was easily noticeable. Regardless, nobody came to tell me to sit on my ass and stay quiet. I have been noticing this type of acceptance and tolerance of disturbers from the Western countries all throughout Cambodia. Khmer people in Siem Reap are so tolerant with tourists, they would probably not kick me out of there even if I walked in wearing a hat. Not that I would ever do that, but some other tourists do which I noticed when I started exploring Angkor temples. Such a shame that so many people from the west would show no respect for foreign cultures. Yet even though westerners abuse Cambodian traditions so much, I’ve never seen any local bust them for it. On a side note, perhaps it has a lot to do with how much people of Siem Reap like tourists’ money…

Photo: Synchronized Apsara Dancing by Young Cambodian Amateurs
Photo: Synchronized Apsara Dancing by Young Cambodian Amateurs

Watching this Amateur Apsara dance – my first Apsara performance – was very enlightening. I really needed a break from the sun, but I also felt lucky I got here just in time to see these girls dancing. It was all very sincere. The dancers have performed several numbers accompanied by the music played by live band on the side of the stage and when they were done, they invited the foreigners to join them and learn how to Apsara dance. I had to respectfully decline this generous offer because I was dripping off sweat like I was in a sauna.

Photo: Teaching Tourists the Poses of Apsara Dancing
Photo: Teaching Tourists the Poses of Apsara Dancing

Young Koreans took on the offer and joined the dancers on the stage. That was when I realized how easy Apsara dancing seems when you watch it, but how difficult it is when you actually do it. They were teaching the Korean youth how to strike a pose. Moving from one pose to another was excluded, but let me tell you – any of those poses that seemed to easy when done by the dancers takes years of training to master. Apsara dancing is much trickier than is seems. I could tell by the faces of those Korean tourists that they were struggling big time to get simple poses done and for the most part, none of them could do it right. Apsara dancing is not easy, it just seems easy when you watch skilled dancers do it. These young ladies may have been amateurs, but they were impressive never the less. It was a truly uplifting experience. Too bad it was so hot and not enough light for good pictures.

Wat Kesararam – Pagoda of the Cornflower Petals

Wat Kesararam is the most confusing pagoda in all of Siem Reap. The inconsistencies in name were driving me insane and the more I was trying to find out which name was correct, the more confusing it was getting. Basically, aside from Wat Kesararam, this pagoda is often referred to as Wat Keseram. Not even Cambodians themselves know which name is right and which is wrong as each you ask them about it, they will give you different answer. Hence it is best to refer to it by its English name – Pagoda of the Cornflower Petals.

Photo: Wat Keseram in Siem Reap - The Pagoda of Cornflower Petals
Photo: Wat Keseram in Siem Reap - The Pagoda of Cornflower Petals

Wat Kesararam is located at the north west side of Siem Reap, right on National Road #6, en route to Siem Reap airport. It is a very colorful pagoda the beginnings of which date somewhere to the 1970’s. The paintings on the outer walls are very bright and so are the lions and nagas – seven headed serpents the body of which serves as a balustrade around the temple. The balustrade is held up by statues of divinities that are repeated all around the structure.

Photo: Lion and Naga - Multiheaded Serpent at the Steps to Wat Keseram
Photo: Lion and Naga - Multiheaded Serpent at the Steps to Wat Keseram

I have not walked inside of actual temple, but it’s said to house extensive collection of Buddha relics. Since it was the second day of Pchum Ben festival, the pagoda of the cornflower petals was very much alive. Traditional Khmer music was being played back out of bad quality, old loudspeakers and dozens of people knelt inside the prayer hall chanting their prayers. More people were coming in and out, all bearing bowls with food which is what the festival of the dead is all about. This food is offered to their deceased ancestors to ease their way in the underworld.

Photo: Buddhists Commemorating Pchum Ben Festival at Wat Kesararam Prayer Hall
Photo: Buddhists Commemorating Pchum Ben Festival at Wat Kesararam Prayer Hall

I noticed many kids running around and hanging off the barred windows of main vihara – prayer hall. There was some commotion coming from the inside and the presence of countless shoes before the entrance to it suggested that something must be going on in there (Buddhists always take their shoes off before entering pagodas or basically any other dwelling or sacred place). This is what attracted me to the vihara as it was also what detracted me from going to the actual temple to see what they say is a vast collection of Buddha relics. On the other hand, I’m glad I went in the vihara because this was my unique opportunity to witness real amateur Apsara dancing.

MORE PICTURES OF WAT KESARARAM AT:
Wat Keseram Photo Gallery

Wat Damnak

I woke up to a new day ready to explore more of Siem Reap’s pagodas. The sun was already baking the air outside which made me happy since it was rainy season in Cambodia, but this was the second day with no rain. Already well aware of how devastating Cambodian sun is, I fortified my skin with natural sun block (as close to organic as it gets), applied powerful mosquito repellent (don’t even bother with anything that contains less than 30% deet – Cambodian mosquitoes are vicious, plentiful and active during all parts of day and night), sat on my mountain bike and off I rode for Wat Damnak.

Photo: Wat Damnak Courtyard with Temple in the Rear
Photo: Wat Damnak Courtyard with Temple in the Rear

As always, I used the map provided in Angkor Siem Reap Visitors Guide to find locations of most relevant temples and pagodas in Siem Reap and used it as my main guide in choosing the best itinerary to get me there. Not that it’s in any way difficult, given rather small size of Siem Reap.

Wat Damnak is located near Phsar Chas aka Old Market, just on the opposite side of the Siem Reap river. If you were to take a walk around the Old Market, you would see the stone bridge right on its south-east corner. Take a walk across the bridge and by the time you made it half across, you will see the roof of beautiful Wat Damnak to your slight right.

Photo: Wat Damnak Front Gate with Cables Spoiling the View
Photo: Wat Damnak Front Gate with Cables Spoiling the View

Once I was across the river, I just followed the road that seemed to go in the general direction of Wat Damnak and it got me there. The entrance gate was the same way I got used to seeing from other temples I have visited before – magnificent, but spoiled by presence of disorganized bunch of cables which are used to electrify Cambodia. These cables spoil the view of basically every important or nice to look at structure in Cambodia, except from Angkor Wat temples since this part of the country has not yet been electrified. This was driving me up the wall as no matter where you go, you see beautiful temples, but you have no means of finding an angle under which to take a picture so it is not ruined by crap loads of cables cross knitted along each other.

This would have been the second day of Pchum Ben Festival. The 15 days long Festival of the Dead is an important part of Buddhist Khmer culture so during these two weeks I was encountering it on my every step. Pchum Ben was the most prominent within temple grounds. It always involved presence of dozens of monks, very loud traditional Khmer music played from really old loud speakers (awfully painful for the ears) and lots and lots of food and then some more.

Photo: Wat Damnak Vihara, the Prayer Hall
Photo: Wat Damnak Vihara, the Prayer Hall

Just as with any Cambodian temple during Pchum Ben festival, there were many people around and lots of traffic in and out. It was a scorching hot day but locals were all nicely dressed and carried bowls with food they’d use as offerings to their dead ancestors and to local monks. I parked my bike by Vihara – the prayer hall. It was close to Wat Damnak’s entrance gate and there seemed to be most commotion happening there. Aside from noticeable crowds, there was also obvious audible effect as Buddhists inside were repeating chants with powerful unison after the leading monk.

Photo: Mass Prayer at Wat Damnak Vihara
Photo: Mass Prayer at Wat Damnak Vihara

RELATED GALLERY:
Wat Damnak Photo Gallery