After the silhouette of Angkor Wat, the Face Towers of Bayon temple are the most iconic and enigmatic images of Angkor. There are currently 37 towers adorning Bayon with gargantuan faces of Avalokiteshvara, remarkably resembling features of king Jayavarman VII who had them built. While looking at the face towers of Bayon from the ground level delivers little thrill, walking up to the top level of the temple and standing face to face with these giant heads – almost looking them in the eyes, more than makes up for it. Because Bayon Face Towers are an icon on their own, I have decided to create a photo gallery dedicated especially to them, separately from main Bayon temple photo gallery.
Bayon was built by king Jayavarman VII as his state temple at the end of 12th century, after he drove out the Chams who sacked the place. Today, Bayon is best known for its iconic towers crowned with four giant faces, each looking out to a respective cardinal point. Bayon is the center of Angkor Thom and symbolizes Mount Meru, sacred mountain in the center of the universe (inspired from Hindu cosmology). This photo gallery is a collection of photographs I took of Bayon temple when I was exploring it.
Bayon has a multitude of symbolic functions. Outer walls of Angkor Thom constitute its outermost enclosure within which Bayon stands as the pivotal mountain in the Churning of the Sea of Milk. Protected at each entrance by Hindu serpent Vasuki, the gods and demons who rotate it exert the “Elixir of Immortality” from the depths of the water that surrounds it.
Bayon was built to be a Mahayana Buddhist temple. Statue of Buddha seated on and sheltered by a multi-headed serpent Mucilinda was originally housed in the central prasat but was later smashed and thrown into the foundation well after death of Jayavarman VII, indicating change in religion (revival of Brahmanism). The statue went out of knowledge until it was re-discovered by archaeologists in 1933.
Bayon’s exterior galleries have walls covered in bas reliefs but aside from a few passages, lack roofs. Many bas relief characters are Chinese, who are seen as both soldiers and businessmen, often with Khmer women, sometimes with friends drinking and dancing. Random scenes from daily life of people occupying the Angkor Thom city compound are portrayed in bas reliefs of exterior galleries. I’ll let the pictures introduce you to the beauty of the Bayon temple: